The traditional Japanese theatrical art of Noh has a history of around 650 years. In its early days, Okina was performed to open all official Noh programs. Extremely ritualistic in form, and regarded as representing the origin of Noh, the unusual piece features dances which celebrate a good harvest and pray for universal peace. The background and meaning of Okina are shrouded in mystery. The Okina figure of a god appears to incorporate different religions and live in harmony with Nature. The god’s existence may provide hints on ways to improve human society in Japan and elsewhere. The Okina Project, by means of the two wheels of exhibition and performance, is meant to reexamine Okina and transmit it anew to the world.
