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Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for instrumental compositions such as the Cello Suites and Brandenburg Concertos; keyboard works such as the Goldberg Variations, The WellTempered Clavier and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19thcentury Bach Revival, he has been generally regarded as one of the greatest composers in the history of Western music.

Partita for solo violin No. 2 in D minor, BWV 1004 (1720)

1. Allemande (0:00)
2. Courante (3:12)
3. Sarabande (5:11)
4. Gigue (8:17)
5. Chaconne (11:25)

Arthur Grumiaux, violin

Description by Michael Jameson []
Alongside Paganini's 24 Caprices for solo violin and Bach's six cello suites, his Partitas and Sonatas (three apiece) for solo violin stand out among their comparatively few siblings as magnificent music written for an unaccompanied stringed instrument. And while they also represent the zenith of polyphonic writing for a nonkeyboard instrument, Bach's sonatas and partitas were also crucially important in the development of violin technique. With their colossal scope, huge technical demands, and musical complexity, and notwithstanding their awesome intellectual intensity, these creations greatly transcended anything that had preceded them, including the Partitas for solo violin by von Westhoff (1696), and various comparable solo works by Biber, Pisendel, and others. It seems most probable that either the Dresden virtuosi Pisendel or Volumier, or even more likely the Cöthen Konzertmeister Spiess, would have been the first players to attempt these exceptionally challenging works, all of which sound as if they were written for an age of instrumental virtuosity that still lay far in the future.

The sonatas are restricted to four movements (slowfastslowfast, as with the early sonata da chiesa), one of which is a fugue. The Partitas are generally more extended, and of unorthodox formal design (as perhaps is implied by their more wideranging generic title), and by the more exploratory, improvisatory feel of the music even as they consist of sequences of Baroque dances. The awesome and eloquent Partita No. 2 in D minor, BWV 1004, seems for the most part to follow the conventional outline of the Baroque suite, opening with an earnest and purposeful Allemanda unexpectedly free of chordal multiplestopping. There follow a Corrente and a Sarabanda, whose brief coda furnishes the link with the succeeding Giga.

However, this work concludes with the most labyrinthine and intellectually powerful single movement ever devised for an unaccompanied string instrument. This is Bach's famous Chaconne (originally "Ciaccona"), a colossal arched series of 64 stunning variants upon the stark, openended fourmeasure phrase heard at the beginning. Two monumental outer sections in the minor enclose a majorkey central episode, and this great structure encompasses every aspect of violinplaying technique and contrapuntal ingenuity that would have been known in Bach's day. The Chaconne, whose duration exceeds 15 minutes (and is thus longer than the rest of the work put together) is often performed as a freestanding movement and has also been widely transcribed for other instruments.

Editor:
Alfred Dörffel (1821–1905)
Publisher Info.:
BachGesellschaft Ausgabe, Band 27
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII.
Copyright:
Public Domain