For many people, Caspar David Friedrich is synonymous with Romantic landscape painting. The artist's symbolically charged, often meditative works thematise the omnipresence of God in nature, the processes of human becoming, being, existence and passing away. This is another reason why traces and signs of the past appear again and again in his works: Monasteries and castles, ruins, barrows, shore scenes, Gothic cathedrals or their remains, also cemeteries, always occupied by wanderers, often individually, sometimes in small groups. Thus Friedrich's eremite figures, gazing melancholically into the landscape, which often seems enchanted, and often in rear view, shape our image of the typical Romantic landscape painting. However, none of Caspar David Friedrich's extensive painterly oeuvre embodies the ideas of Romanticism as radically as the socalled "Monk by the Sea".

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