Alex Garland's latest dystopian thriller, "Civil War," marks a departure from his previous successes in filmmaking. Initially celebrated for his innovative storytelling as a novelist turned director, Garland presents a fragmented United States engulfed in a civil war, featuring a team of war journalists journeying from New York City to Washington, D.C. to interview an authoritarian president amidst escalating conflicts between federal and secessionist forces. The film, while drawing on existential themes reminiscent of his earlier works like "28 Days Later," "Sunshine," "ExMachina," and "Annihilation," struggles with narrative coherence and depth. The unlikely alliance between Texas and California, along with a depiction of the country as a disjointed patchwork including Florida and regions with Chinese influences, strains credibility and leaves much of the political landscape and the war's causation unexplored. This surfacelevel engagement extends to the characters—led by Kirsten Dunst's emotionally detached journalist, Lee, and her colleagues, who traverse the wartorn country capturing its impacts without moral introspection. Despite Garland's intent to portray journalists' neutrality, the film becomes heavily politicized, particularly in its portrayal of the president and the use of American symbols, yet fails to delve into the political dynamics it sets up, resulting in a narrative that feels both politically naive and shallow.

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