De La Soul Is Not Dead takes it all the way back to Amityville, Long Island — a suburban hip hop mecca where three highly creative individuals and high school classmates linked up with DJ Prince Paul and shopped a demo tape to Tommy Boy Records. The label that brought the world "Planet Rock" would soon have another smash hit on their hands with "Me Myself and I" and De La Soul, the socalled "Hippies of Hip Hop." But little did they know what the future would hold.

Many of De La Soul's early classics are difficult to find on digital music platforms due to complex sample clearance issues. As a result, their impact on the development of hip hop is felt from the group's Native Tongues affiliates through Kanye West, Pharrell, and Kendrick Lamar.

It's been twentyfive years since "De La Soul Is Dead," the group's iconoclastic sophomore album, and twenty years since "Stakes Is High," their first project without Prince Paul at the helm. These two pivotal releases positioned the group on the career trajectory that leads them to this extraordinary moment. Last week De La Soul's latest release, "And The Anonymous Nobody," topped Billboard's Rap Albums Chart. Funded by a halfmilliondollar Kickstarter bonanza, the group's first new album in over a decade features diverse guest spots from Snoop Dogg to David Byrne. What better time to look back at the legendary trio's rise through the rap game?

Don't sleep on these Long Island cats. They're definitely onto something.

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What started as a humble graffiti ‘zine in 1996 would soon grow to be one of the most trusted outlets for youthspawned urban culture. Today, Mass Appeal is a media collective led by authentic voices and inspired minds. We are a platform for radical creatives who are transforming culture.