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Learn how to be in command of any synthesizer & develop YOUR sound.
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ABOUT THIS VIDEO
Join Geert Bevin and me as we discuss the current state of expression for both digital and analog instruments. Geert is a multiinstrumentalist and master of gestural control for synthesizers with decades of experience designing many different types of controllers.

I set out to hear what Geert had to say about Digital Instruments vs Analog Instruments, and the discussion kept coming back to controllers. I soon realized that Geert really cares about music and that performers being able to have an expressive experience with their instruments is more important to him than whether or not the tone is generated digitally or not.
In this informationpacked discussion, we'll cover topics such as: why digital struggles with attack transients, the difference between generating a sound digitally and processing a sound digitally, digital distortion vs analog distortion, how to create scarcity in the digital realm, and how humans compensate for different instruments.

Geert Bevin worked with Eigenlabs developing the Eigenharp, collaborated with Roger Linn by writing firmware for the LinnStrument, worked on the Ultraleap Leap Motion Controller that detects your hand position with infrared cameras to convert conductorlike gestures to shape sound, and recently designed a Bluetooth MIDI controller for the Apple Watch.
He's currently creating experiences on software synths for Moog Music that go beyond the sound itself, exploring MPE as a common language to connect musicians with expressive controllers, painstakingly working to make digital knob turns feel as good as analog knob turns, and determining the future of both analog and digital electronic instruments.

00:00 Introduction
00:40 Moog's Software Mission
24:30 Moog Model 15 App
34:09 Why does digital have trouble with attack transients?
48:30 Logo (theme music)
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ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, cofounded Levels Audio Post (LA's premiere post production facility) and performed and arranged on bigboxoffice films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wideranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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