You might be overworking and ruining your paintings by actually trying to make them better. What is overworking, you might ask, and how can it have a negative impact ? Simply speaking: overworking means using too many brush strokes. Let’s take the example of Laurie on Patreon who asked me about this, she asked : “Is there a way to avoid overworking? And how to correct an overworked area?”. To use her own words, overworking is when she thinks What “If I just add this…” but as she said, “the new strokes make the area look worse, not better. So then I add more paint to correct the bad strokes, hoping to make the area good again. It ends up with too much paint— a mess with no definition.”
You get the point, overworking is a bad habit that makes your hand itchy for more brush strokes, it can happen when you feel unsatisfied or even, like Laurie, when you feel happy with your work and want to be too much of a perfectionist.

Link the the previous video I mentioned:
   • I STOPPED Doing THIS and My PAINTINGS...  

Chapters:
00:00 Intro
01:06 What's the problem ?
02:10 The "No More Than 3 Rule"
05:08 It works for blending
07:23 No more than 3 layers
09:22 How to fix an overworked area

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About me (bio) :
Website :
https://www.florentfarges.com

I am an artist living and working in France. I learned the techniques of the Atelier of the Nineteenth century and now I try to share some of my knowledge with the rest of the world, because I think that beauty still has an important role to play in artistic creation. I do mostly drawing and oil painting, and my goal is always to provide techniques, thoughts and explanations that can be useful to anyone, from beginners to more advanced artists.


The material I use most of the time (not necessarily in this video) :

Drawing
✓ Kneaded eraser
✓ Plumb line (DIY)
✓ Small mirror
✓ An old synthetic brush
✓ Masking tape
✓ Cutter
✓ Sandpaper or sanding block
✓ Mahlstick or Hand rest (DIY)
✓ Level ruler
Graphite
✓ Pencils 2H, HB and 2B
Charcoal
✓ If available: Nitram charcoals (H, HB and B)
✓ Square charcoals
Black and white chalk
✓ Sketch pencil Conté white
✓ Square Conté noir : HB and 2B
✓ Chalk or pencil holder
✓ Pencil sketch Conté Pierre noire : H and HB
Sanguine
✓ Sketch pencil Conté : Blood and blood Medici
✓ Crayon Polychromos FaberCastel : sanguine
✓ Sketch pencil Conté white
Oil painting
Palette
(Extrafine paint, recommended brands depending on availability: Sennelier, Lefranc Bourgeois, Winsor and Newton, Royal Talens Rembrandt, Blockx, Michael Harding, Gamblin)
✓ Titanium White PW6
✓ Flake White (or substitute) PW1
✓ Cadmium Yellow light (or "lemon") PY35
✓ Yellow Ochre PY42
✓ Raw Umber PBr7
✓ Transparent Red Oxyde PR101
✓ Burnt Umber PBr7
✓ Venetian Red PR101
✓ Pyrrole Red PR255
✓ Quinacridone Rose PV19
✓ Quinacridone Magenta PV19
✓ Ultramarine Blue PB29
✓ Mars Black PBk11
✓ Cobalt Teal Blue (turquoise light) PG50
✓ Phthalo green warm PG36
Brushes
✓ Filbert hog bristle and Synthetic sizes n° 4, 6, 8, 10 and 12
✓ Flat Synthetic brushes (same size)
✓ Round sable brush or round Kolinsky sable n° 4, 8, 10, 12 (from the size of the nail (about one inch) or synthetic imitation
Medium
✓ Linseed stand oil
✓ Odorless mineral spirits
✓ Or Alkyd medium (Liquin, Galkyd, Flow'n'Dry etc.)
✓ Safflower oil
Surface
✓ Linen canvas, fine grain universal coating
✓ For studies : Canson oilacrylic oil paper Figueras
Others
✓ Palette
✓ Sponge and spalter brushes
✓ Palette knife in the shape of a water drop, no souldering
✓ A few small pots, containers, jars...
✓ Paper towels

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#art #painting #inspiration
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Thanks for watching !