FREE COURSE LINK Draw the LynchPin with Sacred Geometry!
https://www.knewgeometrycourses.com/c...

In this video I discuss the geometry of Terrance Howard's form called the LynchPin, which is convex shape constructed out of pentagons. As I describe and show in the video there are some inconsistencies that arise when describing the forms relationship to the subject Sacred Geometry. Many people are led to believe that the pentagons are regular with 108˚ angles and that the whole form must be full of Golden Ratio proportions because of that. That is not true! There is no golden proportions in the structure at all actually in the way he created it.

I am sure Terrace is well aware that the tetrahedron bond angle of 109.47˚, replaced the 108˚ angle at the center of the pentagons, in the construction . In addition he constructed an equal edge pentagon with the 109.47˚ angle which nullifies the golden ratio throughout those pentagons. I have discovered a way to create a Knew version of the LynchPin that maintains both golden ratio proportions and the109.47˚ angle, and therefor uniting it to a larger body of Sacred Geometry knowledge that integrates seamlessly with techniques to draw the form in fundamental patters like the Golden Seed of Life and other templates.

By reconnecting Terrance's creative vision of the LynchPin to the actual Sacred pattern language one is able to see how it is embedded into a larger interconnected matrix that is based on tetrahedral geometry. With this blossomed Knew ways to draw and build a few alternative designs to the Lynchpin drone that augment and expand the creative possibilities that can be explored for flying drones of this type. I want to thank Terrance Howard for the inspiration of this form, and I was thankful to find ways to integrate the LynchPin, in a "Knew" way, into the compendium of structures that are built on a Sacred blueprint and pattern language. Although, there are some minor modifications to what he offered, those slight adjustments are the difference between a structure that is embedded in the whole, and one that is lost in finding a connection to it. The work presented here is in the Spirit of unification.
Enjoy!

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