Compositor (composer): Ludwig van Beethoven(17701827)
Título (title): Sinfonia n.º 7 em lá maior (Op. 92) Symphony No. 7 in A major (Op. 92)
Modalidade (genre): Sinfonia (Symphony)
Instrumentos:
Família Instrumentos
Madeiras

2 flautas
2 oboés
2 clarinetes em lá
2 fagotes

Metais

2 trompas em lá, mi e ré
2 trompetes em ré

Percussão

tímpanos

Cordas

violinos (I)
violinos (II)
violas
violoncelos
contrabaixos

Instrumentation: http://en.wikipedia.org/wiki/Symphony...

Movimento (movements):

Allegretto (2º movimento/2nd movement)

Descrição (description):

Ludwig van Beethoven iniciou o trabalho concentrado em sua Sinfonia n.º 7 em lá maior (Op. 92) em 1811, enquanto ele estava na cidade termal de Teplice, na Boêmia na esperança de recuperar a sua saúde. Ela foi completada em 1812, e foi dedicada ao Conde Moritz von Fries."



Ludwig van Beethoven's Symphony No. 7 in A major, Op. 92, was the seventh of his nine symphonies. He worked on it while staying in the Bohemian spa town of Teplice in the hope of improving his health. It was completed in 1812, and was dedicated to Count Moritz von Fries.

The second movement in A minor has a tempo marking of Allegretto (a little lively), making it slow only in comparison to the other three movements. This movement was encored at the premiere and has remained popular since. The ostinato (repeated rhythmic figure) of a quarter note, two eighth notes and two quarter notes is heard repeatedly. The movement begins with the main melody played by the violas and cellos. This melody is then played by the second violins while the violas and cellos play a second, but equally important melody, a melody described by George Grove as "a string of beauties handinhand". Then, the first violins take the first melody while the second violins take the second. This progression culminates with the wind section playing the first melody while the first violin plays the second. After this climax, the music changes from A minor to A major as the clarinets take a calmer melody to the background of light triplets played by the violins. This section ends thirtyseven bars later with a quick descent of the strings on an A minor scale, and the first melody is resumed and elaborated upon in a strict fugato.(http://en.wikipedia.org/wiki/Symphony...)

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