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Ludwig van Beethoven - Sinfonia nº 7 (Poco sostenuto -- Vivace)

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Nuno Alvim

Compositor (composer): Ludwig van Beethoven(17701827)
Título (title): Sinfonia n.º 7 em lá maior (Op. 92) Symphony No. 7 in A major (Op. 92)
Modalidade (genre): Sinfonia (Symphony)
Instrumentos:
Família Instrumentos
Madeiras

2 flautas
2 oboés
2 clarinetes em lá
2 fagotes

Metais

2 trompas em lá, mi e ré
2 trompetes em ré

Percussão

tímpanos

Cordas

violinos (I)
violinos (II)
violas
violoncelos
contrabaixos

Instrumentation: http://en.wikipedia.org/wiki/Symphony...

Movimento (movements):

Poco sostenuto Vivace (1º movimento/1st movement)

Descrição (description):

Ludwig van Beethoven iniciou o trabalho concentrado em sua Sinfonia n.º 7 em lá maior (Op. 92) em 1811, enquanto ele estava na cidade termal de Teplice, na Boêmia na esperança de recuperar a sua saúde. Ela foi completada em 1812, e foi dedicada ao Conde Moritz von Fries."



Ludwig van Beethoven's Symphony No. 7 in A major, Op. 92, was the seventh of his nine symphonies. He worked on it while staying in the Bohemian spa town of Teplice in the hope of improving his health. It was completed in 1812, and was dedicated to Count Moritz von Fries.

The first movement starts with a long, expanded introduction marked Poco sostenuto that is noted for its long ascending scales and a cascading series of applied dominants that facilitates modulations to C major and F major. From the last episode in F major, the movement transitions to Vivace through a series of no fewer than sixtyone repetitions of the note E. The Vivace is in sonata form, and is dominated by lively dancelike rhythms (such as dotted rhythms), sudden dynamic changes, and abrupt modulations. In particular, the development section opens in C major and contains extensive episodes in F major. The movement finishes with a long coda, which starts similarly as the development section. The coda contains a famous twentybar passage consisting of a twobar motif repeated ten times to the background a four octave deep Pedal point of an E. The critic and composer Carl Maria von Weber is said to have pronounced Beethoven "fit for a madhouse" after hearing this passage.(http://en.wikipedia.org/wiki/Symphony...)

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posted by ushiosang0