Compositor (composer): Ludwig van Beethoven(17701827)
Título (title): Sinfonia n.º 9 em ré menor (op. 125) Symphony No. 9 in D minor (Op. 125)
Modalidade (genre): Sinfonia (Symphony)

Orquestra (Orchestra): Vienna Philharmonic Orchestra
Maestro: Thielemann

Instrumentos:

A sinfonia foi orquestrada para piccolo (apenas no quarto movimento), duas flautas, dois oboés, dois clarinetes em lá, si bemol e dó, dois fagotes, contrafagote (apenas no quarto movimento), duas trompas (primeiro e segundo movimentos) em ré e si bemol, duas trompas (terceiro e quarto movimentos) em si bemol (baixo), si bemol e mi bemol, dois trompetes em ré e si bemol, três trombones (alto, tenor e baixo, apenas no segundo e quarto movimento), tímpanos, triângulo (apenas no quarto movimento), pratos (apenas no quarto movimento), bombo (apenas no quarto movimento), e cordas.

As partes vocais consistem de quatro solistas (soprano, contralto, tenor e barítono), além dum coro, dividido igualmente em quatro partes (soprano, contralto, tenor subdividido ocasionalmente em tenor I e tenor II e baixo).

Instrumentation: http://en.wikipedia.org/wiki/Symphony...

Movimento (movements):

II: Scherzo: Molto vivace Presto (2º movimento/2nd movement)

Descrição (description):

A sinfonia n.º 9 em ré menor, op. 125, "Coral", é a última sinfonia completa composta por Ludwig van Beethoven. Completada em 1824, a sinfonia coral mais conhecida como Nona Sinfonia é uma das obras mais conhecidas do repertório ocidental, considerada tanto ícone quanto predecessora da música romântica, e uma das grandes obrasprimas de Beethoven.



The Symphony No. 9 in D minor, Op. 125, is the final complete symphony of Ludwig van Beethoven (17701827). Completed in 1824, the symphony is one of the bestknown works of the Western classical repertoire. Among critics, it is almost universally considered to be among Beethoven's greatest works, and is considered by some to be the greatest piece of music ever written.

The symphony was the first example of a major composer using voices in a symphony[2] (thus making it a choral symphony). The words are sung during the final movement by four vocal soloists and a chorus. They were taken from the "Ode to Joy", a poem written by Friedrich Schiller in 1785 and revised in 1803, with additions made by the composer. Today, it stands as one of the most played symphonies in the world.

The second movement, a scherzo and trio, is also in D minor, with the introduction bearing a passing resemblance to the opening theme of the first movement, a pattern also found in the Hammerklavier piano sonata, written a few years earlier. At times during the piece, Beethoven directs that the beat should be one downbeat every three bars, perhaps because of the very fast pace of the movement, with the direction ritmo di tre battute ("rhythm of three bars"), and one beat every four bars with the direction ritmo di quattro battute ("rhythm of four bars").

Beethoven had been criticised before for failing to adhere to standard form for his compositions. He used this movement to answer his critics. Normally, scherzi are written in triple time. Beethoven wrote this piece in triple time, but it is punctuated in a way that, when coupled with the speed of the metre, makes it sound as though it is in quadruple time.

While adhering to the standard ternary design of a dance movement (scherzotrioscherzo, or minuettriominuet), the scherzo section has an elaborate internal structure; it is a complete sonata form. Within this sonata form, the first group of the exposition starts out with a fugue before modulating to C major for the second part of the exposition. The exposition is then repeated before a short development section. The recapitulation further develops the exposition, also containing timpani solos. A new development section is played before the recapitulation is repeated, and the scherzo concludes with a brief codetta.

The contrasting trio section is in D major and in duple time. The trio is the first time the trombones play in the movement. Following the trio, the second occurrence of the scherzo, unlike the first, plays through without any repetition, after which there is a brief reprise of the trio, and the movement ends with an abrupt coda.
(http://en.wikipedia.org/wiki/Symphony...)

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