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ABOUT THIS VIDEO

Discover the unbelievable as Anthony and cohost Rob Rosen, synth tech to the stars, team up with special guest Patrick Gemayel, also known as PThugg from electrofunk duo "Chromeo," to unveil and construct the world's largest touring synthesizer a towering 18 feet long and 8 feet tall, featuring 6 keyboards, all fully CHROMED! Dive into an epic unboxing and building session, culminating in an electrifying improvised synth jam.

In this captivating video, witness the stepbystep assembly of four colossal custom chrome modular synthesizer towers, drawing inspiration from iconic sources like Stevie Wonder’s TONTO synth, 1984 Bang & Olufsen speakers, and Seventies spaceage furniture. Crafted and chromed by the legendary Roger Arrick from Synthesizers.com, these towers house cuttingedge modular synths with a unique behindthemodules patching system, ensuring seamless performances with quick sound changes and full MIDI compatibility for patch cord free audience views.
Delve into the meticulous live performance setup of PThugg and his duo mate David Macklovitch (aka Dave 1), showcasing their mastery of Ableton Live and AbleSet for music playback, set lists, and lighting cues. Experience the behindthescenes magic as you join the conversation with the funk maestro "P" in his warehouse, where dreams of a chromed synth spectacle turned into reality. Don't miss out on this unforgettable journey into the heart of electrofunk innovation!

00:00:00 Intro (music)
00:00:55 Meet PThugg
00:01:11 Building the Modules / Jam 1
00:02:53 The MIDI Keyboards
00:04:53 Building the Tiers / Jam 2
00:06:33 Custom system by Synthesizers.com (https://shop.synthesizers.com)
00:12:15 Custom Tuner Module
00:13:10 Synthesizer Tuner Hack
00:14:10 Modular and Poly Synth Output Configuration
00:15:50 Look Mum, no patch cords Hard Wired Presets 
00:17:34 Culmination of a Modular Dream / Monster Polyphonic Dream Next
00:19:07 Building the MIDI / Jam 3
00:22:44 Fully Built Instrument (after 3 hours setting up)
00:24:05 Preset Patching System
00:29:47 Bypassing the Preset Patches
00:30:21 Switching Presets on Stage
00:33:40 Spontaneously Programming Sounds on Stage
00:34:42 PThugg's Favorite Sound
00:35:25 Presets Switch between Live Panel Settings
00:36:39 Recreating the Album in a Live Setting
00:37:35 Changing The Face Panel 
00:40:09 Patching the MIDI Polyphonic Synthesizer Keyboards
00:43:15 Tuning Drifting Oscillators Custom Tuner Module
00:43:51 Connecting All 4 Modular Instruments
00:45:59 Cleaning the Chrome
00:46:35 MIDI Interface Routing
00:48:47 Moog Modular Flexibility with Minimoog Speed
00:49:14 Front Panel Tour
00:51:20 Overriding the Presets with Patch Cords / MultiMode Filter
00:53:34 AbleSet by Leolabs Set Lists, MIDI Patch Changes, Ableton Live Playback connection (https://ableset.app)
00:56:10 Ableton Light Cues 
00:57:02 DAW Software Cubase, Pro Tools, Ableton Live
00:57:50 Adapting the Show to the Song
00:59:37 Chromeo's Mission
01:01:20 Conclusion
01:01:47 Logo (music)

Download the Chromeo DotCom docs here: https://bit.ly/ChromeoDotCom
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ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, cofounded Levels Audio Post (LA's premiere post production facility) and performed and arranged on bigboxoffice films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wideranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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