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Learn how to be in command of any synthesizer & develop YOUR sound.
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ABOUT THIS VIDEO

Join me for a detailed breakdown of how to create the Monster Growl Bass from Michael Jackson's iconic song "Thriller".  I programmed this big "phat" swooping bass sound on a Minimoog Model D synthesizer while in the room with Michael, album producer Quincy Jones, songwriter Rod Temperton and keyboard player Greg Phillinganes. We'll get into all the settings that you'll need to know whether you have a hardware synth or plugin.  Also, the techniques I discuss about creating sounds can be applied to any style of music.
This sound occurs only one time in the song (at the end of the bridge) but serves as an important example about thinking dramatically when arranging and orchestrating. Rod Temperton employed this mind set when orchestrating and arranging throughout the Thriller album.  Every sound serves a specific function that's related to the sound(s) before it and that's related to the listeners emotions. This is key lesson I learned working with Quincy and Rod. In this case the Monster Growl Bass is a onetime featured sound that kicks off the ever elevating and evolving 2nd half of the song.

00:00 Intro
00:23 Sweep Effect using Glide
01:15 Pitch Oscillators
02:42 Timbre Filter
05:55 Duration Amplifier
06:14 Keyboard Control Voltage
07:34 Recap
07:56 Arrangement & Orchestration
08:42  Thriller ReCreation Video with Greg Phillinganes
09:13 Visit the Website
09:21 L & S
09:36 Outro (music)
09:52 AMM Logo (music continues)
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ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, cofounded Levels Audio Post (LA's premiere post production facility) and performed and arranged on bigboxoffice films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wideranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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