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In this video we'll be taking a deep dive into superimposing the minor pentatonic scale over three different chord types (m7, Maj7, Dom7). This is a great way to freshen up your playing, add some new colours and start to tackle the 'changes'.

In summary we'll have these choices:

m7 Option 1 = starting on root (1 b3 4 5 b7)
Option 2 = starting on 5th (5 b7 1 9 11)
Option 3 = starting on major 2nd (9 11 5 13 1)

Maj7 Option 1 = starting on major 6th (6 1 2 3 5 6)
Option 2 = starting on major 3rd (3 5 13 7 9)
Option 3 = starting on major 7th (7 9 3 #11 13)

Dom7 Option 1 = start on major 6th (6 1 2 3 5 6)
Option 2 = start on root (1 b3 4 5 b7)
Option 3 = start on minor 3rd (#9 b5 #5 b7 b9)

(You can also use the other two options we used for the m7 chord).

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Content:
0:00 Intro
0:53 The Basic Concept
2:15 Options over a m7 Chord
5:17 Options over a Maj7 Chord
8:34 Making Music pt. 1 'Up a 3rd' Trick
11:05 Making Music pt. 2 Mixing 'Up a 3rd' and Lydian Pentatonic
13:40 Making Music pt. 3 Combining m7 and Maj7 chords
16:39 Altered Pentatonic over Dominant 7(#5)
18:23 Tackling a iiVI with the minor pentatonic
20:13 Final thoughts

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