0:00 Seymour has a surprise for you
1:34 Performance of Chopin E minor Prelude
4:16 Finding your own interpretive ideas
5:24 Chopin knew he was dying
6:33 Preliminary swing stroke
8:40 How to play twonote slurs
10:21 “All piano playing is a series of illusions”
12:05 Controlling repeated chords
14:58 ‘Alla breve’ does not mean ‘faster’
16:25 How not to play the Moonlight Sonata
18:44 Romantic hairpins are not what you think
21:16 How to play hairpins in a Brahms Intermezzo
22:40 More proof from Fanny Mendelssohn
24:36 Irrefutable evidence from Chopin’s G minor Ballade
26:36 “Rob Peter, but don’t pay Paul.”
28:35 Crescendo means ‘get softer’!
31:47 What Chopin learned from Bach
33:44 How to voice chords on the piano
38:08 How does a piano produce dynamics?
39:34 How not to bang out a crescendo
41:58 The most profound chord in the E minor Prelude
43:32 How practicing music translates to life

Join Seymour Bernstein as he reintroduces you to one of Chopin's most popular and tragic works, the E Minor Prelude, Op. 28 No. 4.

In this indepth lesson, Bernstein not only demonstrates the physical mechanics necessary to realize your expressive intentions in this work, he reveals how the Prelude contains information crucial to your general development as a pianist and a person.

Free PDF: Tips from Master Pianists — Scales & Arpeggios
Ever wished you could learn how to play scales from Chopin or Rachmaninoff? Now you can.
In this free PDF, we explore scales and arpeggios – the backbone of a pianist's technical training – from the perspectives of master pianists including Rachmaninoff, Liszt, Chopin, and Brahms.
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Recorded February 2020


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