Which picture profile do you choose? A flat dull log profile or a vibrant readytogo profile like SCinetone?
It will always come down to experience and also the output. Do you know how to grade SLog 3? Do you need extra dynamic range? Do you need a faster output?
These are massive factors you need to consider before hitting that record button.
I really hope this video helps someone specially when it comes to exposing for slog 3 and scinetone. Using the zebra tools and false color has been crucial in exposing on my sets.



Timecode
00:00 Intro
00:44 What is SCinetone
01:12 What is SLog
01:57 SCinetone baked in color
02:17 How to select SCinetone
02:42 ISO performance
03:14 How to expose
03:58 Exposure tool Zebras
04:57 SLog 3 41% exposure on skin tones
05:18 Exposure tool False color
05:55 Why choose SCinetone?
06:32 Exposing SLog 3
07:12 Underexposing
08:07 Color in SLog 3
09:15 Why I chose to use SCinetone over SLog 3
10:03 Conclusion


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SECONDARY CAMERAS:

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Film Making GEAR

Digitalfoto Thanos Pro II: https://geni.us/YwuIVl
Digitalfoto Thanos SE: https://geni.us/bDqzEA
Neewer Tripod: https://geni.us/ZqYs2
Zhiyun crane 2: https://amzn.to/2rBSbER
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LIGHTING:

Nanlite Forza 300B: https://geni.us/lCvr72
Nanlite Pavo tube 30c: https://geni.us/CzR2WVc
Godox VL 300 COB light: https://geni.us/McrXZ
Godox SL 200w ii COB light: https://geni.us/Efd0lAu
Godox M1 small LED RGB lightL: https://geni.us/QbSBcx6
Neewer 120cm Soft Box: https://geni.us/Bi4FWv
Neewer CStand: https://geni.us/zHaDHM

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APSC Kit:

Sigma 16mm f1.4: https://geni.us/WhQXd
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Full Frame Kit:

Sirui 50mm T2.9 Anamorphic lens: https://geni.us/83FRc4h
Sony 85mm f1.4 GM: https://geni.us/4ApmMI
Sony 50mm f1.4 GM: https://geni.us/749KlX9
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Outdoor Set Up:
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