#eurorack #synth #generative #drone

Low Melody (Orange)
Hapax lane 1
Cursus Iteritas in Walsh mode whose Edge is modulated by 0chd.
Then into Qpas whose Freq1 is modulated inversely by the envelope, Freq 2 by Pams 4, Level by Pams 3 and Radiate R by 0chd.
Envelope provided by Quadra/Quad VCA. Cloud reverb from Big Sky added at the mixing desk.

Echoey Horns (White)
Hapax lane 2
Twin waves in BZX FM Mode.
Envelope from Quadra/Quad VCA.
Into MFX in TapeTech echo mode into Microcosm in Mosaic 4 mode.
Twin Waves Freq 1 modulated by the envelope via a passive flying attenuator.

Wobbly Echoey Stabs (Pink)
Hapax lane 11 MIDI via Black MIDICV
Pizza into Ikarie into Mimeophon.
Ikarie Mod from Quadra.
Via El Capistan.
Cloud Reverb from Big Sky added at the mixing desk.

‘Spectral Rainbow!’ (Blue)
Ensemble into Melotus Versio loaded with Imitor Versio firmware. Ensemble Twist modulated by Pams.

Choir (Yellow)
Hapax lane 7 MIDI
Disting EX Multisample choir. The two outputs from Disting are combined in a passive flying mixer.
Cloud reverb from Big Sky added at the mixing desk..

Bass/Percussion (Black)
Hapax lane 5 MIDI
BitBox Micro playing SL Cinematic Tension preset.


Sequenced in C Harmonic Major by Hapax.
Audio captured live via Yamaha MG12XU USB mixer into Audacity as a Stereo master (no overdubbing, post mixing or processing apart from some compression).
Note that although Audacity is technically a Digital Audio Workstation (DAW), it is only used to capture the live performance in 2channel stereo and apply the aforementioned mastering adjustments.
Monitored on Yamaha HS8s and Beyerdynamic DT770 Pro cans.
Case: Tip Top Mantis.
Video shot in 4K on a Lumix DMCGH5S with an f2.8 1235mm Lumix lens.
Pulled together and video edited in DaVinci Resolve Studio 18.5.

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