Hello everybody and welcome!
What if we put an external instrument into a feedback chain? How does it interact with a feedback and viceversa?
In the third video of my series dedicated to no input techniques I show you how to put some external instruments into a feedback chain and the consequences on sound and timbre.
Can no input techniques be useful as sound processing tools?
I make a couple of practical examples using different sound sources (acoustic and electronic ones) and share with you an improvised session with a setup based on feedbacks, acoustic and electronic instruments all togheter.

If you have any question feel free to ask in the comments, I'm more than happy to help you in your journey into this fascinating world!

All of the sounds recorded in this video are also available as a sample pack on my Patreon. If you want to support my work and get access to albums and videos previews, music podcasts, sample packs and news on my projects, that's the place where you can find them! Thank you for your support, it really means a lot!

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