SUPPORT ME Now available as a remastered Bandcamp Album, featuring the full performance split into four parts here https://garyphayes.bandcamp.com/album...

REUPLOADED because the live went out pre FX!! in otherwords super dry so this is how it sounded to me when performing .... OK the price was finally right ($550 USD new) and I got my Arp 2600 yesterday morning already managed to spend an hour or so with it and getting some great vibes so with no other sound boxes (just the ARP2600 oh and a Volca Beats to provide some backing kick / hh ) here is a long wander with it into Berlin Kosmiche territory, amongst other things History: I was lucky to have an original / real Arp to use for a few months back in the late 1980s when I was an engineer/producer, and back in 2004 I was one of the first to use Arturia's emulation on a mac, but great to now own something close to the original ... please ask questions, but I will be exploring alongside trying to do a flow performance!

0:00 Intro
2:42 Part One
6:06 Part Two
12:29 Part 3 SQ1 also as lead
18:46 Part Four
22:54 Part Five
28:28 Part Six
33:35 Part Seven
42:27 Part Eight
45:22 Part Nine
48:52 Part Ten
56:20 Part 11 SQ1 also as lead
59:46 Part Twelve
1:03:31 Part Thirteen SQ1 also as lead
1:07:24 Part Fourteen
1:13:18 Part Fifteen
1:20:18 Part Sixteen SQ1 also as lead
1:25:44 Part Seventeen
1:32:02 Part Eighteen
1:37:49 Part Nineteen
1:39:28 Part Twenty

I will be performing using the 3 oscillators (working independently, together and in stereo!) with a mix of noise as a 4th sound source and endless modulation fun in between the growing sequences. The single SQ1 will be providing lots of active step and live tuned sequencing (several sections ... ChA from SQ1 is going to Oscs 1 and 2 and ChB to Osc 3, also separate waves from Osc 2 and 3 are being sent to L and R channels independently in sustain mode of course, to give some width. I am feeding the vBeats into preamp and that is sent to VCF input on mixer and of course to keep things small, a little NTS1 on delay and reverb. The master clock btw is actually the Sample and Hold clock on the Arp which gives me full flexibility to change tempos on the fly inside the Arp.