In this episode, cinematographer Robert Yeoman long time collaborator of director Wes Anderson – talks all things ‘The French Dispatch’: why they chose to shoot predominantly in black and white, Wes’ love affair with France, the choreography of shots, and the process of making in a movie with Anderson’s trademark symmetrical style and framing.


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Thank you to the British Society of Cinematographers (BSC). http://www.bscine.com/

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